VITALITY AND VERVE III
Long Beach Museum of Art
‘Art After Dark’ Opening Reception: Friday, June 29, 2018
On View: June 30, 2018 thru September 9, 2018
Featuring ephemeral murals and installations from:
Bordalo II, CASE, Evoca, Sergio Garcia, Herakut, Hush,
Jaune, Leon Keer, Koz Dos, Spenser Little, Fintan Magee,
Dennis McNett, Drew Merritt, Michael Reeder, RISK, SEEN,
Amy Sol, Super A, Juan Travieso, Dan Witz and Lauren YS
Long Beach (CA) – The Long Beach Museum of Art (LBMA) presents Vitality and Verve III, an exhibition dedicated to showcasing new works by artists of the New Contemporary Art Movement. Presented in curatorial collaboration with Los Angeles’ Thinkspace Projects and the support of POW! WOW! Long Beach, the exhibition is the third iteration in the collaborative series which has secured record-breaking public attendance since 2015.
Vitality and Verve III will present a relevant cross-section of some of the most exciting artists working under the New Contemporary handle today and will feature site-specific works by these 21 individuals brought together in the same space for the first time. Their impermanent installations are tangentially activated, transforming the ground floor and Ocean View gallery of the LBMA into an immersive ephemeral playground for the senses.
The exhibition will feature new, site-specific works by internationally renowned artists, Bordalo II, CASE, Evoca, Sergio Garcia, Herakut, Hush, Jaune, Leon Keer, Koz Dos, Spenser Little, Fintan Magee, Dennis McNett, Drew Merritt, Michael Reeder, RISK, SEEN, Amy Sol, Super A, Juan Travieso, Dan Witz and Lauren YS. Each will contribute a unique piece and vantage point, working across a variety of media.
The New Contemporary Art Movement is known for its diversity; several styles, media, contexts, and exhibition platforms fall within its expansive cast, including public art interventions and site-specific urban murals. This breadth has long been embraced as a subversive impulse vis-a-vis the more exclusionary and contained tenets of contemporary art production, particularly those minted in academe and aspiring to the vetted legitimacy of the ‘white cube.’ The movement’s vested interest in incorporating the social and representational, counter to its often systemic disavowal, has allowed it to thrive outside of institutional support, though this exclusionary paradigm is rapidly shifting.
Largely self-supported and community-driven since the 90’s, many of the movement’s artists are self-taught or have come into their own through multi-disciplinary backgrounds. Gaining international recognition over the past decade, the movement is now widely recognized as both the largest and longest running organized art movement in history, boasting veterans and established artists as well as emergent ones. The evocative potential of representation inspires these artists to draw from popular and countercultural sources like music, illustration, comics, graffiti, design, punk, tattoo culture, hip-hop, skate culture, etc., looking to the outside world rather than to the self-referential gestures that have typified the traditional exclusions of contemporary art.
Long Beach Museum of Art – 2300 East Ocean Boulevard, Long Beach, CA. 90803 – www.lbma.org