This September at Thinkspace Projects:
KCN
‘Dark Energy’
Thinkspace Projects is pleased to present “Dark Energy,” a solo exhibition of new works by Taiwanese artist KCN. This marks KCN’s first solo show at the gallery and includes a collection of eight detailed graphite works on canvas that examine the emotional relationships between humans through various aspects of art, technology, culture, war, and science. The boundaries of time and individuality become indistinct as themes of alienation and “the other” emerge, with KCN’s exploration of the historical occupation of Taiwan by Japan serving as a recurring theme in his narrative portraiture.
Additionally, the works delve into the humanities and the expressive connections cultivated through creativity. A notable example is KCN’s homage to Kafka’s novel, “The Metamorphosis,” where themes of degradation and transformation are evident in his hybrid female figures that combine the robotic and the organic, resulting in both beauty and the grotesque. The portraits serve to both amalgamate and isolate, introducing a new form of existence that is distinct from previous depictions, ultimately evoking feelings of solitude and presenting a paradox.
About the artist:
KCN, born Wu Hsuyao in 1972 in Beidou, Changhua County, Taiwan, began his career as a cartoonist with works such as “Kirin the Beast” and “Journey to the West.” He later shifted his focus to illustration and game art. For many years, the pre-war history of Taiwan has been a central theme in his creations. His artworks have gained popularity among artists in Taiwan and Japan, leading to the production of hundreds of pieces over time. KCN’s grandfather was a respected figure in Beidou, admired by the community for his integrity and compassion.
KCN was notably influenced by his grandfather’s teachings. Following the lifting of the ban on “Taiwanology,” he explored numerous books about Taiwan’s history, gaining insight into the social dynamics that existed before World War II and the unique emotional connections between Taiwanese and Japanese people. His illustrations often reflect the repressed history and figures of Taiwan’s Japanese colonial period (1895-1945), and his passion has resonated with a global audience, potentially due to the historical and emotional ties between Taiwan and Japan. His works have found a significant audience in Japan and around the world.