August 5, 2023 - August 26, 2023

Wiley Wallace

Woven Trails (Gallery IV)

Opening Reception with the Artist(s): Saturday, August 5, 2023 6:00-10:00pm

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Thinkspace Projects presents:

Gallery IV:
WILEY WALLACE
‘Woven Trails’

Opening Reception:
Saturday, August 5 from 6-10pm

On view August 5 – August 26, 2023

‘Woven Trails’ is Wiley Wallace’s latest solo exhibition, bringing a captivating exploration of interconnectedness, time, and space to Thinkspace Projects’ Gallery IV.

Through a harmonious fusion of yarn, threads, transparent shapes, translucent glass, hiking trails, and metaphysical elements, Wallace creates compositions that transcend the boundaries of the tangible world. Symbolizing the invisible threads that bind us and the universe together, the incorporation of string highlights the connected nature of all things. With translucent glass, the artwork takes on an ethereal quality, inviting contemplation of the seen and unseen. Central to the exhibition are the motifs of hiking trails, serving as metaphors for the journeys we undertake in life and the narratives that shape our experiences.

‘Woven Trails” delves into metaphysical concepts, inviting viewers to reflect on the mysteries of existence. The paintings depict transformative journeys where time, space, and interconnectedness intertwine to form a mesmerizing tapestry of exploration and reflection. Wallace’s pieces convey a kind of sci-fi nostalgia harkening back to a Spielberg-era of extraterrestrial-themed filmmaking. At times their implied innocence and naiveté give way to darker and more dystopian readings, surfacing amidst the neon-hued glow.

About Wiley Wallace:
Phoenix-born painter Wiley Wallace’s work is playful and ambiguous, his luminous and ostensibly radioactive worlds suggest a metaphysical interest in the possibility of alternate realities: the endlessly shapeshifting and protean nature of fantasy at the intersection of the imagined and “real.” Wallace’s paintings combine realistic rendering with elements of the surreal, and near-magical references that include eerily cast light sources bordering on the supernatural. Playful and macabre, his works combine intense thematic contrasts between light and dark to achieve suspense and evasion. Children are a recurring theme in his compositions, representing a kind of primordial link to something invisible and beyond comprehension, exempt from the rationalizations of the adult. Often using his own children as models, Wallace’s narratives are open-ended, filled with suggestion and partial disclosures rather than forceful assertions or posited certainties. The themes of connection and communication resonate throughout Wallace’s imagery, as the works’ protagonists seem ever in search of fugitive contact. The skeleton is a recurring figure throughout Wallace’s imagery as well, appearing at times as a sinister harbinger of some kind and at others as Halloween costume level kitsch. Wallace’s pieces convey a kind of sci-fi nostalgia harkening back to a Spielberg-era of extraterrestrial-themed filmmaking. At times their implied innocence and naiveté give way to darker and more dystopian readings, surfacing amidst the neon-hued glow.